| Issue Date | Title | Author(s) |
| 1 | 2019 | An apprenticeship project: Silversmithing in Kapalicarsi (the Grand Bazaar) | Tarcan, Berilsu; Cox, Ayça Tunç |
| 2 | 2023 | Co-design with children with cancer: Insights from what they say, make, and do | Örnekoğlu Selçuk, Melis ; Hasırcı, Deniz; Tunç Cox, Ayça |
| 3 | 2023 | THE EDITORIAL PREFACE: CONTEMPORARY HISTORIES OF DESIGN AND TRANSIENCE | Emgin, Bahar ; Ata, Zeynep; Tunç Cox, Ayça ; Kılınç, Kıvanç |
| 4 | 2019 | Filmde heteroglossia, filmin heteroglossia’sı: La haine | Cox, Ayça Tunç ; Jaidane, Oumaima |
| 5 | Oct-2012 | Hyphenated identities: The recept ion of Turkish German cinema in the Turkish daily press | Tunç Cox, Ayça |
| 6 | 2019 | Portrayal of Turkish-German migratory relations in Turkish films of the 1980s: a call for an alternative reading | Tunç Cox, Ayça |
| 7 | Mar-2022 | The Queen’s body: The favourite by Yorgos Lanthimos | İnan, Fatma Serra; Tunç Cox, Ayça |
| 8 | 2019 | The Roma image in the mainstream Turkish audiovisual media: Sixty years of stereotyping | Cox, Ayça Tunç ; Uştuk, Ozan |
| 9 | 2020 | Roma people of Turkey re-write their cinematographic images | Uştuk, Ozan ; Tunç Cox, Ayça |
| 10 | 2020 | The Turkish-German affair in films: A dreamworld or a netherworld? | Tunç Cox, Ayça |
