Please use this identifier to cite or link to this item: https://hdl.handle.net/11147/3460
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dc.contributor.advisorEyüce, Özenen
dc.contributor.authorÇaylan, Didem-
dc.date.accessioned2014-07-22T13:51:34Z-
dc.date.available2014-07-22T13:51:34Z-
dc.date.issued2000en
dc.identifier.urihttp://hdl.handle.net/11147/3460-
dc.descriptionThesis (Master)--İzmir Institute of Technology, Architecture, İzmir, 2000en
dc.descriptionIncludes bibliographical references (leaves: 136-142)en
dc.descriptionText in English; Abstract: Turkish and Englishen
dc.descriptionxi, 142 leavesen
dc.description.abstractThis study focuses on the cultural and local diversities observed in 20th century architectural theory and practice, and especially the regionalist discourse in architecture, which can be evaluated as their categoric correspondent. Evaluating the concepts and influences behind the evolution of an architectural practice inspired by a sensitivity towards cultural and local conditions, this study claims that cultural and local diversities in 20th century architecture and their formulation as regionalism are rooted in the basic tension between the universal and particular, which has been present in Western culture since Enlightenment. Due to the conceptualization of the world in terms of bipolar contsructs such as universal and particular, rational and romantic, industrialized and indigenous and modern and traditional the urge to preserve cultural and local essence has often been formulated as a revolt against the universalizing forces of industrialization and modernization. In order to put the concept of regionalism into its historical context the study overviews the claims of regionality, nationality and contextuality that have been influential on architectural practice since 19th century. The regionalist approaches that have generated after World War II have been evaluated with reference to the varying concerns that they respond to. Referring to the significant theoretical works on the subject the viability of the regionalism as a valid critical approach in contemporary architecture has been discussed through a simultaneous study of regional(ist) works and their underlying ideas.This conceptual framework has been used to evaluate the contextualist, regionalist and nationalist discourses that have been influential in Turkish architecture as a consequence of the revolts against the imported "international style". The study focuses on the discussions on national and cultural identity that still occupy the Turkish architectural agenda, and evaluates the position of Turkish architectural practice within the construct of center - periphery. Considering that claims of regionality have often been used as a means of legitimization in Turkish architecture, the validity of the concepts behind regionalist practice have been challenged with reference to the current debates in mainstream architecture.Keywords: Modernity and tradition, center and periphery, universal and local, identity, regionalism, contextualism, nationalism, critical modernism, postmodernity, contemporary Turkish Architecture.en
dc.language.isoenen_US
dc.publisherIzmir Institute of Technologyen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subject.lccNA682.R44 .C39 2000en
dc.subject.lcshRegionalism in architectureen
dc.subject.lcshCultural pluralism--Turkeyen
dc.subject.lcshArchitecture--Turkey--20th centuryen
dc.titleCultural and local diversities in contemporary architecture:an evaluation on the regionalist trends in 20th century Turkish architectureen_US
dc.typeMaster Thesisen_US
dc.institutionauthorÇaylan, Didem-
dc.departmentThesis (Master)--İzmir Institute of Technology, Architectureen_US
dc.relation.publicationcategoryTezen_US
item.languageiso639-1en-
item.openairecristypehttp://purl.org/coar/resource_type/c_18cf-
item.cerifentitytypePublications-
item.grantfulltextopen-
item.fulltextWith Fulltext-
item.openairetypeMaster Thesis-
Appears in Collections:Master Degree / Yüksek Lisans Tezleri
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